Many learners expect archives and collections to be comprehensive. If a document isn’t listed or a story isn’t included, it must not exist! Yet archives and collections themselves contain silences. In the past, people made decisions that certain primary sources were not worthy of preservation or study and therefore deliberately excluded them from collections—those decisions created these silences. When it comes to the history of women—particularly women of color, immigrant women, and working-class women—these silences are even more apparent. How can you understand or learn the history of women in the United States when there is a perceived lack of primary sources on which to base that inquiry?
What questions do we need to ask to find women's stories in the archives?
What sources do we need to find in order to answer those questions?
Use this album to explore this history of the Civil War while examining the silences in the archive and reintegrating women's history into your curriculum.
Essential Question: How do people experience war?
Supporting Questions:
To fully understand people's experiences during the Civil War, we need to understand the battlefield, the journey to freedom, and the home front. The journey to freedom and the home front (often the spaces given less attention in traditional history curriculum) that we find women's stories.
Rebecca, your title intrigues me, and so does your initial topic. The best way to search for that group of artists at LOC.gov would be to conduct searches by individual names rather than the category. In a quick browse, I discovered a photograph of a painting by Elizabeth Catlett. It is not in the public domain but fortunately, it appears in the exhibit, Creative Space: Fifty Years of Robert Blackburn's Printmaking Workshop That means you can link to and project an enlarged high resolution image for analysis even though you cannot republish it on your own website.