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Album Description
Many learners expect archives and collections to be comprehensive. If a document isn’t listed or a story isn’t included, it must not exist! Yet archives and collections themselves contain silences. In the past, people made decisions that certain primary sources were not worthy of preservation or study and therefore deliberately excluded them from collections—those decisions created these silences. When it comes to the history of women—particularly women of color, immigrant women, and working-class women—these silences are even more apparent. How can you understand or learn the history of women in the United States when there is a perceived lack of primary sources on which to base that inquiry?
What questions do we need to ask to find women's stories in the archives?
What sources do we need to find in order to answer those questions?
Use this album to explore this history of the Civil War while examining the silences in the archive and reintegrating women's history into your curriculum.
Essential Question: How do people experience war?
Supporting Questions:
To fully understand people's experiences during the Civil War, we need to understand the battlefield, the journey to freedom, and the home front. The journey to freedom and the home front (often the spaces given less attention in traditional history curriculum) that we find women's stories.
Teaching Notes
Explore this image of President Lincoln on the battlefield in 1862. You can adapt the Teacher's Guide for Analyzing Photographs and Prints to guide student exploration.
Photographs popularized during the Civil War only tell us so much about the experiences of those affected by the war. Learn more about photography and the Civil War here.
Reference link: http://www.loc.gov/resource/cph.3g10198/
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Some women's stories were told through the media, including political cartoons. Use the Teacher's Guide for Analyzing Political Cartoons to help craft student inquiry.
Some women's history was not crafted by women, but about women.
Reference link: http://www.loc.gov/item/2006689828/
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Women's histories can often be found in the more intimate memoirs created by women themselves, such as this autobiography by Elizabeth Keckley.
Born enslaved, Elizabeth Keckley (also spelled Keckly), she bought her own and her son’s freedom. She became a dressmaker to the elite women of D.C.—including First Lady Mary Todd Lincoln. While primarily seen as a dressmaker, she was also a prominent businesswoman, mother of a Union soldier, organizer, and writer.
Her autobiography, Behind the Scenes or Thirty Years a Slave, and Four Years in the White House (1868), gave an intimate portrait of enslavement and the Lincoln White House. The book was derided as too intimate at its publication, Lincoln’s son, Robert, suppressed the book, and Keckley’s reputation and business suffered.
In her book,Behind the Scenes, Keckley recalled helping form the Contraband Relief Association (an organization created to aid freed people who flocked to D.C.). Use Project Zero's Unveiling Stories Routine to craft student exploration.
Reference note
Elizabeth Keckley (1818–1907). Behind the Scenes or Forty Years a Slave, and Four Years in the White House. New York: G. W. Carlton, 1868. Rare Book and Special Collections Division, Library of Congress (050.00.00) [Digital ID# cw0050p2]
Teaching Notes
Rose O'Neal Greenhow (1817-1864) was a popular socialite in Washington, DC, and a spy for the Confederacy during the Civil War. Greenhow wrote ciphered (secret code) messages to Confederates and provided information about Union military plans. Confederate President Jefferson Davis credited her with helping the Confederacy win the First Battle of Bull Run (1861).
Use the Primary Source Analysis Tool from the Library of Congress to prompt students to explore this image.
Depending on the grade level, you can then have students do the same using another photograph of prisoners of war (POWs) during the Civil War such as this image. Use Project Zero's Same and Different Routine to guide student inquiry.
Reference link: http://www.loc.gov/pictures/item/2017895090/
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Date Created/Published: [between 1865 and 1880]
Call Number: LC-BH832- 2492 [P&P]
Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Notes: Title from unverified information on negative sleeve. Annotation from negative, inked on tape: imprisoned at old Capitol Mrs. Green hurst and daughter; inked on emulsion: 2404, Handy; scratched into emulsion: 820 [crossed out], 84 [crossed out], 4 [crossed out], 2408 [crossed out], 2492 [crossed out], From the original negative by Brady Handy in the collection of LC Washington DC. Horan item no. 281. Credit line: Brady-Handy photograph collection, Library of Congress, Prints and Photographs Division. Purchase; Alice H. Cox and Mary H. Evans; 1954. General information about the Brady-Handy photograph collection is available at https://hdl.loc.gov/loc.pnp/pp.brhc Forms part of: Brady-Handy photograph collection (Library of Congress).
Teaching Notes
Mary Surratt owned a tavern in southern Maryland and a boarding house on H Street NW in Washington, D.C., a few blocks away from Ford’s Theater. She was a known Confederate sympathizer and her D.C. boarding house served as a meeting place for John Wilkes Booth and his fellow conspirators to plot the assassination of President Abraham Lincoln, V.P. Andrew Johnson, and Secretary of State William Seward. After she and other conspirators were found guilty, they were sentenced to death. Mary Surratt became the first woman executed by the U.S. Federal Government in 1865.
Surratt's image is found on the cover of the official publication for the trial for those complicit in the assassination. Use the Digital Inquiry Group's Historical Thinking Chart to help guide student exploration of this primary source.
Reference link: http://www.loc.gov/item/12002579/
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Louisa May Alcott, author of Little Women and a Civil War nurse, gives us two examples of where to find women's stories that may not be likely.
The first it through her publication of Hospital Sketches (1863), which recounted her weeks as a volunteer nurse in the Civil War. Alcott published the book under "L.M. Alcott". You can see the cover of the book here.
Have students examine both the image of Alcott below and the cover of Hospital Sketches using Project Zero's See Think Wonder Routine to guide inquiry. After completing the routine, ask students:
Alcott also published the novel Little Women (1868-69) shortly after the civil war. If your students are reading Little Women, you can encourage students to explore the novel as a primary source using the following guiding questions:
Reference link: http://www.loc.gov/item/2017660625/
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Finally, there are some women's stories we think we may know well, but could be explored in more depth. This is often the case for Harriet Tubman.
Use students the Teacher's Guide for Analyzing Photographs and Prints to craft student inquiry while looking at this image. Through exploration, ask students to pay close attention to the photograph caption. What questions does it raise or answer?
In 1863, Tubman took on the role of a scout and organized a group of spies. She recruited enslaved people interested in assisting the Union. Tubman helped Colonel James Montgomery coordinate the Combahee River Raid in South Carolina, which aimed to “harass whites and rescue freed slaves.” The raid was wildly successful; Montgomery’s troops burned down many plantations and freed approximately 750 enslaved people. Many of the formerly enslaved men then opted to join the Union’s fight against the Confederacy. To date, Tubman is recognized as the first woman in US history to both plan and lead a military raid. In June 2021, the Army inducted her into the Military Intelligence Corps.
As well as her military contributions, Tubman moved upstate to Auburn, NY with her second husband Nelson Davis in 1869. There, Tubman founded the Home for the Aged, an institution that provided care for those with "paralysis, epilepsy, and those with vision impairment and blindness." You can find a photograph of Tubman and her family members in Auburn taken some time in the 1890s here. Students can explore this photograph using the same routine above. Additionally, encourage students to think about the following questions:
Reference link: http://www.loc.gov/item/2003674596/
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There are many ways to explore women's stories in the Civil War. To help fill silences in the archive, we encourage students to look holistically at historic events and movements by bringing in different types of sources and asking different questions about them.
You can find more sources through the Library of Congress and other partners, such as through this Primary Source Set developed by MTSU.
What new sources will you find to help tell women’s stories? What sources will you analyze differently to find, expose, and fill in the silences in the archives?
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