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Silences in the Archive: Women's History and Primary Sources (Civil War)

Album Description

Many learners expect archives and collections to be comprehensive. If a document isn’t listed or a story isn’t included, it must not exist! Yet archives and collections themselves contain silences. In the past, people made decisions that certain primary sources were not worthy of preservation or study and therefore deliberately excluded them from collections—those decisions created these silences. When it comes to the history of women—particularly women of color, immigrant women, and working-class women—these silences are even more apparent. How can you understand or learn the history of women in the United States when there is a perceived lack of primary sources on which to base that inquiry? 

What questions do we need to ask to find women's stories in the archives?

What sources do we need to find in order to answer those questions?

Use this album to explore this history of the Civil War while examining the silences in the archive and reintegrating women's history into your curriculum.

Essential Question: How do people experience war?

Supporting Questions:

  • Whose lives do we know the most about?
  • What events affect people’s lives?
  • Was everyone’s experience/life during the Civil War the same?

To fully understand people's experiences during the Civil War, we need to understand the battlefield, the journey to freedom, and the home front. The journey to freedom and the home front (often the spaces given less attention in traditional history curriculum) that we find women's stories.

  6 - 8   9 - 12   13+   Social Studies/History   Women's History 

President Lincoln on battle-field of Antietam, October, 1862 / Alex. Gardner, photographer.

Teaching Notes

Explore this image of President Lincoln on the battlefield in 1862. You can adapt the Teacher's Guide for Analyzing Photographs and Prints to guide student exploration.

  • Have students look closely at the photograph
  • Ask students to describe what they see in the image.
  • Guide inquiry using the following questions:
    • Why was this image taken? Who is the intended audience?
    • Who or what is missing from this image? Why is that significant?
    • Can you think of other images like this one? Where have you seen them?
    • What questions does the photograph help us answer? What questions can it not help us answer?

Photographs popularized during the Civil War only tell us so much about the experiences of those affected by the war. Learn more about photography and the Civil War here

Reference note

Summary

  • Photograph shows Abraham Lincoln at Antietam, Maryland, on Friday, October 3, 1862, during his visit to General McClellan, commander of the Army of the Potomac, to encourage "Little Mac" to attack the Confederate Army. Lincoln is posed standing by a chair and facing McClellan with other Union Army officers grouped outside a tent. From left to right: Colonel Delos B. Sacket, Captain George Monteith, Lieutenant Colonel Nelson B. Sweitzer, General George W. Morell, Colonel Alexander S. Webb [Chief of Staff, 5th Corps], General George B. McClellan, Scout Adams, Dr. Jonathan Letterman [Army Medical Director], unidentified soldier, President Abraham Lincoln, Colonel Henry J. Hunt, General Fitz-John Porter, Joseph C. G. Kennedy, Colonel Frederick T. Locke, General Andrew A. Humphreys, and Captain George Armstrong Custer. (Source: Ostendorf, p. 107)

Created / Published

  • ©1866.

Genre

  • Book illustrations--1860-1870
  • Portrait photographs--1860-1870
  • Group portraits--1860-1870
  • Albumen prints--1860-1870

Notes

  • -  Illustration in: Gardner's photographic sketch book of the war / Alexander Gardner. Washington, [D.C.]: Philp & Solomons, [1865-66], v. 1, no. 23.
  • -  Title from item.
  • -  Ostendorf no. 62
  • -  Published in: Lincoln's photographs: a complete album / by Lloyd Ostendorf. Dayton, OH: Rockywood Press, 1998, p. 107.
  • -  Published in: Viewpoints; a selection from the pictorial collections of the Library of Congress .... Washington : Library of Congress ..., 1975, no. 75.
  • -  Exhibited: "With Malice Toward None : The Abraham Lincoln Bicentennial Exhibition" at the Library of Congress, Washington, D.C., 2009.

Repository

Digital Id

Sowing and reaping

Teaching Notes

Some women's stories were told through the media, including political cartoons. Use the Teacher's Guide for Analyzing Political Cartoons to help craft student inquiry. 

  • Ask students to describe what they see in the cartoon.
  • Guide student inquiry using the following questions:
    • What do you see in this cartoon from Frank Leslie’s Illustrated Newspaper?
    • What story does this cartoon tell?
    • Who is the intended audience? Intended take-away?
    • What questions does it raise?
    • Who is missing from this cartoon?

Some women's history was not crafted by women, but about women. 

Reference note

Summary

  • Before and after pictures of "Southern women hounding their men on to rebellion" and "...feeling the effects of rebellion and creating bread riots".

Created / Published

  • 1863.

Notes

  • -  Illus. in: Frank Leslie's Illustrated Newspaper, (1863 May 23), p. 141.
  • -  Reference copy may be in LOT 4421F.
  • -  This record contains unverified, old data from caption card.
  • -  Caption card tracings: Shelf.

Repository

  • Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA

Digital Id

  • cph 3a47788 //hdl.loc.gov/loc.pnp/cph.3a47788

Elizabeth Keckley's Behind the Scenes or Forty Years a Slave, and Four Years in the White House (1868)

Teaching Notes

Women's histories can often be found in the more intimate memoirs created by women themselves, such as this autobiography by Elizabeth Keckley.

Born enslaved, Elizabeth Keckley (also spelled Keckly), she bought her own and her son’s freedom. She became a dressmaker to the elite women of D.C.—including First Lady Mary Todd Lincoln. While primarily seen as a dressmaker, she was also a prominent businesswoman, mother of a Union soldier, organizer, and writer.
Her autobiography, Behind the Scenes or Thirty Years a Slave, and Four Years in the White House (1868), gave an intimate portrait of enslavement and the Lincoln White House. The book was derided as too intimate at its publication, Lincoln’s son, Robert, suppressed the book, and Keckley’s reputation and business suffered. 

In her book,Behind the Scenes, Keckley recalled helping form the Contraband Relief Association (an organization created to aid freed people who flocked to D.C.). Use Project Zero's Unveiling Stories Routine to craft student exploration.

  • Have students read this excerpt from Keckley's autobiography and make notes to answer the following questions:
    • What’s the story?
    • What is the human story?
    • What is the world story?
    • What is the new story?
    • What is the untold story?
  • Have students share their answers.
  • Guide further inquiry using the following questions:
    • How does regarding Keckley as an organizer rather than a dressmaker change our understanding of the Civil War?
    • How do the negative reactions to her autobiography help us better understand primary sources—particularly those written by women?

Reference note

Elizabeth Keckley (1818–1907). Behind the Scenes or Forty Years a Slave, and Four Years in the White House. New York: G. W. Carlton, 1868. Rare Book and Special Collections Division, Library of Congress (050.00.00) [Digital ID# cw0050p2]

//www.loc.gov/exhibits/civil-war-in-america/april-1862-november-1862/Assets/cw0050p2_enlarge.jpg

Greenhow, Mrs. & daughter (imprisoned in old Capitol Prison in Wash. D.C.) Confederate spy

Teaching Notes

Rose O'Neal Greenhow (1817-1864) was a popular socialite in Washington, DC, and a spy for the Confederacy during the Civil War. Greenhow wrote ciphered (secret code) messages to Confederates and provided information about Union military plans. Confederate President Jefferson Davis credited her with helping the Confederacy win the First Battle of Bull Run (1861). 

Use the Primary Source Analysis Tool from the Library of Congress to prompt students to explore this image.

Depending on the grade level, you can then have students do the same using another photograph of prisoners of war (POWs) during the Civil War such as this image. Use Project Zero's Same and Different Routine to guide student inquiry. 

Reference note

Date Created/Published: [between 1865 and 1880]
Call Number: LC-BH832- 2492 [P&P]
Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
Notes: Title from unverified information on negative sleeve. Annotation from negative, inked on tape: imprisoned at old Capitol Mrs. Green hurst and daughter; inked on emulsion: 2404, Handy; scratched into emulsion: 820 [crossed out], 84 [crossed out], 4 [crossed out], 2408 [crossed out], 2492 [crossed out], From the original negative by Brady Handy in the collection of LC Washington DC. Horan item no. 281. Credit line: Brady-Handy photograph collection, Library of Congress, Prints and Photographs Division. Purchase; Alice H. Cox and Mary H. Evans; 1954. General information about the Brady-Handy photograph collection is available at https://hdl.loc.gov/loc.pnp/pp.brhc Forms part of: Brady-Handy photograph collection (Library of Congress).

Trial of the assassins and conspirators for the murder of Abraham Lincoln, and the attempted assassination of Vice-President Johnson and the whole cabinet : the most intensely interesting trial on record : containing the evidence in full, with arguments of counsel on both sides, and the verdict of the military commission : correct likenesses and graphic history of all the assassins, conspirators, and other persons connected with their arrest and trial

Teaching Notes

Mary Surratt owned a tavern in southern Maryland and a boarding house on H Street NW in Washington, D.C., a few blocks away from Ford’s Theater. She was a known Confederate sympathizer and her D.C. boarding house served as a meeting place for John Wilkes Booth and his fellow conspirators to plot the assassination of President Abraham Lincoln, V.P. Andrew Johnson, and Secretary of State William Seward. After she and other conspirators were found guilty, they were sentenced to death. Mary Surratt became the first woman executed by the U.S. Federal Government in 1865. 

Surratt's image is found on the cover of the official publication for the trial for those complicit in the assassination. Use the Digital Inquiry Group's Historical Thinking Chart to help guide student exploration of this primary source.

  • Encourage students to look closely at this image at the front of this publication. 
  • Have students answer as many questions as they can under Sourcing, Contextualization, Corroboration, and Close Reading in the chart. Suggested questions include:
    • Who wrote this?
    • Why was it written?
    • When and where was the document created?
    • How might the circumstances in which the document was created affect its content?
    • What claims does the author make?
    • What language (words, phrases, images, symbols) does the author use to persuade the documents audience? 
  • After this close reading, ask students: Why would the Military Commission put Mary Surratt on the cover of their official publication of the trial?

Reference note

Created / Published

  • Philadelphia : Barclay & Co., c1864 [i.e. 1865]

Notes

  • -  Trial of David E. Herold, George A. Atzerodt, Lewis Payne, Michael O'Laughlin, Edward Spangler, Samuel Arnold, Mary E. Surratt, and Samuel A. Mudd, before a military commission at Washington, D.C.
  • -  Also available in digital form on the Library of Congress Web site.
  • -  Recat. to AACR2: vj14 08-11-98.

Digital Id

[Louisa May Alcott, writer, abolitionist, and Civil War nurse] / Warren's Portraits, 465 Washington St., Boston.

Teaching Notes

Louisa May Alcott, author of Little Women and a Civil War nurse, gives us two examples of where to find women's stories that may not be likely.

The first it through her publication of Hospital Sketches (1863), which recounted her weeks as a volunteer nurse in the Civil War. Alcott published the book under "L.M. Alcott". You can see the cover of the book here

Have students examine both the image of Alcott below and the cover of Hospital Sketches using Project Zero's See Think Wonder Routine to guide inquiry. After completing the routine, ask students:

  • Why would Alcott have published as “L.M. Alcott”? What questions does that generate?

Alcott also published the novel Little Women (1868-69) shortly after the civil war. If your students are reading Little Women, you can encourage students to explore the novel as a primary source using the following guiding questions:

  • How could we understand Little Women (1868-69) as a Civil War novel?
  • How does the novel contribute to our understanding of the Civil War, particularly women’s experiences?

Reference note

Created / Published

  • [Boston] : [Warren's Portraits, 465 Washington St.], [ca. 1870]

Genre

  • Portrait photographs--1860-1880
  • Albumen prints--1860-1880
  • Cartes de visite--1860-1880

Notes

  • -  Title devised by Library staff.
  • -  Notation on verso: "Louisa Alcott."
  • -  Gift; Tom Liljenquist; 2016; (DLC/PP-2017:171, formerly deposit D072)
  • -  Purchased from: Jeffrey Kraus, Antique Photographics, New Paltz, New York, June 2016.
  • -  Forms part of: Liljenquist Family Collection of Civil War Photographs (Library of Congress).
  • -  Exhibited: "Women Behaving Badly" at the Baltimore Museum of Art, 10 Art Museum Drive, Baltimore, Md., 21218, August 5, 2020 - January 31, 2021.
  • -  pp/liljpaper
  • -  pp/liljwoch

Repository

Digital Id

  • ppmsca 53264 //hdl.loc.gov/loc.pnp/ppmsca.53264
  • ppmsca 53265 //hdl.loc.gov/loc.pnp/ppmsca.53265

[Harriet Tubman, full-length portrait, standing with hands on back of a chair]

Teaching Notes

Finally, there are some women's stories we think we may know well, but could be explored in more depth. This is often the case for Harriet Tubman.

Use students the Teacher's Guide for Analyzing Photographs and Prints to craft student inquiry while looking at this image. Through exploration, ask students to pay close attention to the photograph caption. What questions does it raise or answer?

In 1863, Tubman took on the role of a scout and organized a group of spies. She recruited enslaved people interested in assisting the Union. Tubman helped Colonel James Montgomery coordinate the Combahee River Raid in South Carolina, which aimed to “harass whites and rescue freed slaves.” The raid was wildly successful; Montgomery’s troops burned down many plantations and freed approximately 750 enslaved people. Many of the formerly enslaved men then opted to join the Union’s fight against the Confederacy. To date, Tubman is recognized as the first woman in US history to both plan and lead a military raid. In June 2021, the Army inducted her into the Military Intelligence Corps.

As well as her military contributions, Tubman moved upstate to Auburn, NY with her second husband Nelson Davis in 1869. There, Tubman founded the Home for the Aged, an institution that provided care for those with "paralysis, epilepsy, and those with vision impairment and blindness." You can find a photograph of Tubman and her family members in Auburn taken some time in the 1890s here. Students can explore this photograph using the same routine above. Additionally, encourage students to think about the following questions:

  • What does focusing on Tubman’s life after the Civil War reveal about women’s experiences during the war?
  • What does this focus reveal specifically about Black women’s experiences and roles?

Reference note

Created / Published

  • [between ca. 1871 and 1876]

Genre

  • Portrait photographs--1870-1880
  • Photographic prints--1870-1880

Notes

  • -  Title devised by library staff.
  • -  Date of photograph based on years photographer Harvey B. Lindsley was active and Tubman's clothing. (Source: researcher A. Cohn, 2016)
  • -  Published in: "Famous People" chapter of the ebook Great Photographs from the Library of Congress, 2013.
  • -  Original photo not found in LOT since at least the 1970s; confirmed in 1998.

Repository

Digital Id

  • cph 3a10453 //hdl.loc.gov/loc.pnp/cph.3a10453

MTSU PRIMARY SOURCE SET WOMEN IN THE CIVIL WAR

Teaching Notes

There are many ways to explore women's stories in the Civil War. To help fill silences in the archive, we encourage students to look holistically at historic events and movements by bringing in different types of sources and asking different questions about them. 

You can find more sources through the Library of Congress and other partners, such as through this Primary Source Set developed by MTSU. 

What new sources will you find to help tell women’s stories? What sources will you analyze differently to find, expose, and fill in the silences in the archives?