This album contains primary and secondary sources about Louis Armstrong. The prominent topics addressed within this album are (1) Armstrong's unique approach to jazz and art, (2) Armstrong's great influence on the growing music industry, (3) Armstrong's involvement and activism in the Civil Rights Movement, and (4) Armstrong's life and legacy in the US. This album will provide teachers and students learning about US History, the Civil Rights Movement, and the history of jazz with sources to support learning and a deeper understanding of the events that occurred through the lens of Louis Armstrong's life. This album covers a variety of SOL topics addressed in 4th grade and above, even spanning economics, civics, and foreign relations. Louis Armstrong is a prominent figure in Louisiana's history and was a huge topic of conversation in my elementary education growing up in New Orleans.
Louis Armstrong Broke Barriers With Music, Optimism, and the Sheer Force of His Personality
[Louis Armstrong plays trumpet while Joey Adams, president of the American Guild of Variety Artists Youth Fund, presents him with an award at Carnegie Hall]
- Caption from Down Beat: These are the things that make up Louis Armstrong, as reflected in the mirror by Bill Gottlieb, staff lensman, in the third of his intimate studies of musical celebs in their dressing rooms. Here are his throat spray and other medications (Louie vocalizes as much as he plays trumpet, you know), the inevitable stack of handkerchiefs (he uses them by the dozen), and copies of the diet by which he lost 60 poinds in one year, distributed gratis to all over-weight friends and acquaintances
- Gottlieb Collection Assignment No. 011
- In: "Through the looking glass," Down Beat, v. 13, no. 15 (July 15, 1946), p. 21.
- Reference print available in Music Division, Library of Congress.
- Original negative or transparency: 1 negative : b&w ; 3 1/4 x 4 1/4 in. Library of Congress Prints and Photographs Division. Originals not served.
- Originals Purchase; William P. Gottlieb, 1995-1997
- Record created through migration from the Performing Arts Encyclopedia Database.
Summary: Library of Congress jazz scholar Dan Morgenstern discusses the role of jazz music throughout the Civil Rights movement in the 20th century. Created / Published: Washington, D.C. : Library of Congress, 2016-04-21. Notes: - Classification: Music and Books on Music. - Daniel Morgenstern. - Recorded on 2016-04-21. - Teachers. - Visitors. Digital Id: https://hdl.loc.gov/loc.gdc/gdcwebcasts.160421mus1830
- Lewisohn Stadium of the City College, Amsterdam Avenue, 136-138th Street. Newspaper clipping promoting concert by Louis Armstrong with Gerry Mulligan. The names are incorrectly given as Dizzy Mulligan and Gerry Armstrong.
- Title was truncated from lenghthy version to shortened version.
On hot summer nights in New Orleans, a boy named Louis Armstrong would peek under the big swinging doors of Economy Hall and listen to the jazz band. The best night was Friday, when Bunk Johnson would blow his cornet till the roof trembled. At moments like those, Louis could feel his toes tingle. He wanted to be like Bunk Johnson; aim his horn straight up at the night sky and set the stars spinning.
One day Louis saw a horn in a pawnshop window—a real brass cornet. The cardboard sign said $5. How could he ever come up with that much money? Every day Louis did what he could to earn that five dollars, and every day he practiced blowing his imaginary horn. It was a dream he would never give up.
The vibrant, swinging world of New Orleans jazz seems to bounce off the pages in this tribute to an extraordinary young man. Louis Armstrong's dynamic personality and amazing trumpet playing would cast a spell on millions of people around the world, to whom he will always be the one and only Satchmo, the Ambassador of Jazz.
Who Was Louis Armstrong? By Yona Zeldis McDonough, Illustrated by John O’Brien
If not for a stint in reform school, young Louis Armstrong might never have become a musician. It was a teacher at the Colored Waifs Home who gave him a cornet, promoted him to band leader, and saw talent in the tough kid from the even tougher New Orleans neighborhood called Storyville. But it was Louis Armstrong's own passion and genius that pushed jazz into new and exciting realms with his amazing, improvisational trumpet playing. His seventy-year life spanned a critical time in American music as well as black history.
If I Only Had a Horn: Young Louis Armstrong By Roxanne Orgill, Illustrated by Leonard Jenkins
Roxane Orgill’s vivid words and Leonard Jenkins’s dramatic pictures combine to tell the story of a boy who grew up to be a giant of jazz—the legendary and beloved Louis Armstrong. As a poor boy in New Orleans, where music was everywhere—dancing out of doorways, singing on street corners, crying from the cornet of the great Joe Oliver for all to hear—Louis longed for a horn so that he too could sing, bring home pennies, and, most of all, tap happy-feet blues till the sun rose. It wasn’t going to be easy. Many things, not all of them good, had to happen before he got his horn. But when at last he did, he sent music spiraling up into the New Orleans night sky like a spinning top gone crazy.