Last Edited

    The UArts TPS Team is doing a lot of teaching this time of year. We have our week-long TPS Level I and Level II courses over the summer. This year’s classes include sessions on Theater, Local Collections, Comics, Photography and WPA Posters. Our focus is always on using primary sources in an arts context, whether that is teaching in an art classroom, or using art as a primary source, rather than as illustrations.

    To get us thinking about objects as primary sources during our courses and workshops, I show this image on the screen and say

     “What would you ask this teapot?” 

     We start addressing our questions to the screen

      • “What ARE you?"
      • “How big are you?”
      • “Who made you?”
      • “Who used you?”
      • “What are you made of?”
      • “When were you made?”
      • “Where are you from?”
      • “How were you used?”
      • “What on earth is that crazy pattern?”
      • “WHY DO YOU LOOK LIKE THAT?” 

    Without any context for the object, and without the actual item in hand, we realize that some of those questions are really hard to answer. The question of size, for instance, can’t be judged without something for scale.  We speculate on a few things. Some of the students think the teapot must be from the mid-twentieth century, based on the decoration. Some think that the pot came from North America, or Europe, or Africa. We want to know more.

    We turn to the cataloging record for some answers.  We learn that this object is a teapot, it’s four and a quarter inches tall, it came from England, and the painted enameling decoration is of fossils. I ask if the students are satisfied, or if they have more questions. We find that the answers only led to more questions:

      • “Why are you so small?”
      • “Why do teapots matter?”
      • “Who would want to use a teapot with fossils on it?”
      • “WHY FOSSILS AT ALL?!” 

    We talk about what we’d research, and then brainstorm some ways to go about it. We decide to answer the fossil question. We search the web a bit, and find this bog post by Claudia Mooney from the Milwaukee Art Museum about the teapot https://blog.mam.org/2011/08/31/objects-in-focus/ which tells us more about the fossils, and why someone might want to see them on a teapot. It also lets us know that tea and teapots had a role in social interactions. The late eighteenth century was a time of great scientific inquiry, and one of the recent discoveries was a particular kind of fossil, one that came from these creatures:

     

    Crinoidea, once fossilized, look like this

     

    Someone who is pouring tea out of a teapot decorated with a crinoidal limestone pattern might be establishing his or her level of learning and scientific awareness, and therefore gentility, during a ritual of social interaction. We might realize at this point that looking at everyday objects can tell us a lot about a society at the time the object was made or used. Decorations are no longer just pleasing to the eye, but might reveal something about values, or aspirations. We also find that by answering those questions, we want to know more. Some of us get interested in the role of science, or want to know more about how people interacted, or why tea had such a big role in society. It’s just a small teapot (why so small?!) but the areas of inquiry are vast.

    I find that participants in my sessions really enjoy this exercise, and it demonstrates the back and forth of the TPS Analysis method, with looking eliciting questions, answers eliciting more questions, research satisfying some areas of inquiry, but also leading to others. By addressing the image itself, we free ourselves to ask any question, even if it might seem silly or strange. We generate excitement and momentum, because the questions came from our own looking, rather than being imposed upon us.

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    Thank you for sharing this model. I find that we get some of the most interesting outcomes from students when they are given this kind of freedom to explore. It is also a great motivator to continue exploring beyond the constraints of a textbook driven lesson.
    Edited

    Curiosity about teapot images (beyond the Teapot Dome Scandal!) led me to all sorts of teapot-related objects and images at the Library of Congress. Depending upon the goals of any lesson in object-based analysis, many of the images I ran across would work well with the questioning model introduced by   Cate Cooney. For example, what questions would students ask of this gas station image?

    Teapot Dome gas station, Zillah, Washington

    https://www.loc.gov/item/2017702117/ 

    As  Jose L. Ramos  so aptly pointed out, even a teapot could motivate students to explore "beyond the constraints of a textbook driven lesson." I'm all for that, especially with student questions at the center of the inquiry.

    What a wonderful lesson that you shared! It seems so simple and yet such a powerful way for analysis to take off! LOVE this!

    “We generate excitement and momentum, because the questions came from our own looking, rather than being imposed upon us.”

    Such an important thought   Cate Cooney .  Thank you for the post, questions and analysis. After wondering about the teapot, I thought about what primary source I might put on a teapot for questioning. By using shapes and some simple digital tools in Keynote the teapot could be transformed into a vessel designed by students and decorated with a primary source they had researched. 

    Very cool idea! Have you ever heard of the artist Roberto Lugo? He does transfer prints of primary sources on ceramics: https://www.wexlergallery.com/roberto-lugo/

    Edited

    I hadn’t heard of Roberto Lugo.  Thanks   Cate Cooney!  I tried some in a simple digital lesson here in an album in TPS Tech Talk. Thanks for your inspiration!

    Edited

    Thanks to Cheryl and Mary, I made a few updates to this post, first written in 2016. You can find out more about crinoids here: https://www.bgs.ac.uk/discovering-geology/fossils-and-geological-time/crinoids/ And the teapot itself has a nice, full cataloging record, along with multiple, downloadable views online from the Chipstone Collection here: http://chipstone.dom5183.com/objects-1/info?query=mfs%20any%20%22teapot%22&sort=0&page=30 

    It took a little digging to find the Chipstone Collection online again, so I am going to park the link here: http://chipstone.dom5183.com

      Cate Cooney  I really like the activity you shared.  When I thought of the question what would I ask the teapot, I thought about maps and asking it about its journey.

    That's a great idea. How did a teapot made in Staffordshire, England find its way to suburban Milwaukee? Or, as I would holler to the little ceramic, using my best David Byrne impression, "How did you get here?!"

    If you had not posted the crinoids I would have gone on seeing chomping monsters and eyeballs! This would be a wonderful image to use with students just for the creative answers! 

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